
Age: 44
male
Rupert William Anthony Friend (born October 1981) is an English actor. He first gained recognition for his roles in The Libertine (2004) and Mrs Palfrey at the Claremont (2005), winning him awards for best newcomer. He portrayed George Wickham in Pride & Prejudice (2005), Lieutenant Kurt Kotler in The Boy in the Striped Pyjamas (2008), Albert, Prince Consort in The Young Victoria (2009), psychologist Oliver Baumer in Starred Up (2013), CIA operative Peter Quinn in the political thriller series Homeland (2012–2017), Vasily Stalin in The Death of Stalin (2017), Theo van Gogh in At Eternity's Gate (2018), and Ernest Donovan in the series Strange Angel (2018–2019). In the early 2020s, Friend began collaborating with director Wes Anderson, starting with a cameo in The French Dispatch (2021), followed by roles in Asteroid City (2023) and the Netflix short films The Swan and The Rat Catcher. In 2022, he starred as disgraced British politician James Whitehouse in Anatomy of a Scandal and featured in the Disney+ series Obi-Wan Kenobi as the Grand Inquisitor. Friend is the director, screenwriter or producer of two award-winning short films: The Continuing and Lamentable Saga of the Suicide Brothers (2008) and Steve (2010). He wrote lyrics for the Kairos 4Tet 2013 album Everything We Hold. Description above from the Wikipedia article Rupert Friend, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In Aurora, Illinois, Aubrey Wheeler is just trying to get by after her semi-criminal ex-husband split, leaving behind his unruly teenage son. Then the lights go out—not just in Aurora but across the globe. A solar storm has knocked out power almost everywhere. Suddenly, all problems are local, very local, and Aubrey must assume the mantle of fierce protector of her suburban neighborhood. Across the country lives Aubrey’s estranged brother, Thom. A fantastically wealthy, neurotically over-prepared Silicon Valley CEO, he plans to ride out the crisis in a gilded desert bunker he built for maximum comfort and security. But the complicated history between the siblings is far from over, and what feels like the end of the world is just the beginning of several long-overdue reckonings—which not everyone will survive . . . Aurora is suspenseful storytelling—both large scale and small—at its finest.
