Age: 43
male
Jon Foo (was born in 30 October 1982) is an English actor, martial artist and stuntman of mixed Chinese and Irish descent He was born in London to a Chinese father from Singapore, and an irish mother from England which is also where he grew up. His siblings include a little sister and two half-sisters from his father's side His family constantly relocated as he grew up. His father practices karate and his mother practices judo. He started learning kung fu since he was eight years old but he serious training for wushu He was 15. He currently lives Los Angeles Being a practitioner of Wushu, he has starred in Tom-Yung-Goong (US title: The Protector), Batman Begins, House of Fury, Left For Dead, And Life (Shi cha qi xiao shi). He also does stunts for other actors. He is best known for recently playing the role of Jin Kazama in the 2010 live action movie movie Tekken released in 2010. He also received a role as Ryu in the short film Street Fighter: Legacy. He also starred in Universal Soldier: Renegation (2010) as one of the first generation soldiers. He is also set to appear in a Thai martial arts-basketball film Fireball Begins, which is a prequel to the first film, Fireball.
Season three finds Audre at 35, launching the House of Audre in a small showroom in the Garment District on a shoestring budget and a reputation that precedes her. The brand is immediately successful — her name carries weight — but success comes with unexpected complications. The aesthetic that felt revolutionary within Chen & Company's structure feels constrained when it's entirely hers. She must make decisions about production, pricing, who gets access to beauty — decisions she never had to make when those were Marcus's burdens. Julian, initially supportive, begins to resent the time and energy the brand demands. Their marriage begins to fracture under the weight of her ambition. Simone expands her restaurant empire and the circle of women evolves: some drift away as life gets busier, some deepen. A documentary filmmaker, Zara, begins shadowing Audre for what is intended as a profile but becomes a complex examination of whether elegance can survive commodification. By the season's end — and the series' end — Audre has built something real and entirely her own, but has paid costs she didn't anticipate and won't entirely recover from. The final episode ends not with triumph but with something more complicated: acceptance that elegance and ambition, when you are a woman in the luxury industry, may ultimately be incompatible, and choosing one means inevitably sacrificing the other.
