Age: 42
female
Lena Waithe (/weɪθ/; born May 17, 1984) is an American actress, producer, and screenwriter. She is the creator of the Showtime drama series The Chi (2018–present) and the BET comedy series Boomerang (2019–20) and Twenties (2020–21). She also wrote and produced the crime film Queen & Slim (2019) and is the executive producer of the horror anthology series Them (2021–present). Waithe gained recognition for her role in the Netflix comedy-drama series Master of None (2015–2021) and became the first African-American woman to win the Primetime Emmy Award for Outstanding Writing for a Comedy Series in 2017 for writing the show's "Thanksgiving" episode, which was loosely based on her personal experience of coming out to her mother. She has also appeared in Steven Spielberg's 2018 adventure film Ready Player One and the HBO series Westworld. In 2023, she was nominated for Best Play at the 76th Tony Awards, her production work on the sketch-comedy play Ain't No Mo'. Waithe was named one of Time magazine's 100 Most Influential People of 2018 and was included on Fast Company's Queer 50 list in 2021 and 2022. Description above from the Wikipedia article Lena Waithe, licensed under CC-BY-SA, full list of contributors on Wikipedia.
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval. However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
