Died at 92
female
A veteran television actress and Broadway star of the 50s, Rue McClanahan was an actress noticed by television executive, Norman Lear. Lear cast her in a number of television shows, including "All in the Family" (1971) with 'Carroll OConnor' and "Maude" (1972) with Bea Arthur. McClanahan next co-starred with Vicki Lawrence, Ken Berry, Betty White and Carol Burnett in "Mama's Family" (1983) for three years, and after it was canceled by NBC, McClanahan was probably best known for her role as the saucy, sharp southern belle, Blanche, in "The Golden Girls" (1985). She once again worked with Bea Arthur and Betty White, and with relative newcomer Estelle Getty. All four of the women won Emmy Awards for their roles. After Bea Arthur left the show after eight seasons, McClanahan, White and Getty returned for a brief spin-off in "The Golden Palace" (1992). In the mid-nineties, McClanahan was diagnosed with cancer, but was able to fight it successfully. In addition to lending her talents to a number of made for TV films, McClanahan has also appeared on the big screen in recent years co-starring with Jack Lemmon and Walter Matthau in the comedy Out to Sea (1997) and with Casper Van Dien in Starship Troopers (1997). McClanahan also spends her time joining and helping organizations against cancer, AIDS, and cruelty against animals.
Rue McClanahan
Mrs. Weatherford
for Mrs. Weatherford in Asteroid City (1970s Edition)
Suggested by nickyhill
Asteroid City is a 2023 American comedy-drama film written, directed, and produced by Wes Anderson, from a story he wrote with Roman Coppola. The film features an ensemble cast that includes Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, and Jeff Goldblum. Its metatextual plot simultaneously depicts the events of a Junior Stargazer convention in a retrofuturistic version of 1955, staged as a play, and the creation of the play.[6] It is Anderson's homage to popular memory and mythology about extraterrestrials and UFOs witnessed in the Southwestern desert in close proximity to atomic test sites during the postwar period of the American 20th century.
