Died at 94
male
Lalo Schifrin (Spanish pronunciation: [ˈlalo ˈʃifɾin]; born Boris Claudio Schifrin; June 21, 1932 – June 26, 2025) was an Argentine-American pianist, composer, arranger and conductor. He was best known for his large body of film and television scores, which incorporate jazz and Latin American musical elements alongside traditional orchestration. Schifrin's best known compositions include the themes from Mission: Impossible (1966) and Mannix (1967), as well as the scores to Cool Hand Luke (1967), Bullitt (1968), THX 1138 (1971), Enter the Dragon (1973), The Four Musketeers (1974), Voyage of the Damned (1976), The Eagle Has Landed (1976), The Amityville Horror (1979) and the Rush Hour trilogy (1998–2007). Schifrin was also noted for collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the Dirty Harry film series. He composed the Paramount Pictures fanfare used from 1976 to 2004. Schifrin was a five-time Grammy Award winner; he was nominated for six Academy Awards and four Emmy Awards. In 2019, he received an Honorary Academy Award from the Academy of Motion Picture Arts and Sciences in recognition of his successful career. Description above from the Wikipedia article Lalo Schifrin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lalo Schifrin
Composer
for Composer in Asteroid City (1970s Edition)
Suggested by christopher00h
Asteroid City is a 2023 American comedy-drama film written, directed, and produced by Wes Anderson, from a story he wrote with Roman Coppola. The film features an ensemble cast that includes Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, and Jeff Goldblum. Its metatextual plot simultaneously depicts the events of a Junior Stargazer convention in a retrofuturistic version of 1955, staged as a play, and the creation of the play.[6] It is Anderson's homage to popular memory and mythology about extraterrestrials and UFOs witnessed in the Southwestern desert in close proximity to atomic test sites during the postwar period of the American 20th century.
