
Age: 77
female
Pamela Suzette Grier (born May 26, 1949) is an American actress. Described by director Quentin Tarantino as cinema's first female action star, she achieved fame for her starring roles in a string of 1970s action, blaxploitation, and women in prison films for American International Pictures and New World Pictures. Her accolades include nominations for an Emmy Award, a Golden Globe Award, a Screen Actors Guild Award, a Satellite Award, and a Saturn Award. Grier came to prominence with her titular roles in the films Coffy (1973) and Foxy Brown (1974); her other major films during this period included The Big Doll House (1971), Women in Cages (1971), The Big Bird Cage (1972), Black Mama, White Mama (1973), Scream Blacula Scream (1973), The Arena (1974), Sheba, Baby (1975), Bucktown (1975), and Friday Foster (1975). She portrayed the title character in Quentin Tarantino's crime film Jackie Brown (1997), and also appeared in Escape from L.A. (1996), Jawbreaker (1999), Holy Smoke!, (1999), Bones (2001), Just Wright (2010), Larry Crowne (2011), and Poms (2019). On television, Grier portrayed Eleanor Winthrop in the Showtime comedy-drama series Linc's (1998–2000), Kate "Kit" Porter on the Showtime drama series The L Word (2004–2009), and Constance Terry in the ABC sitcom Bless This Mess (2019–2020). She received praise for her work in the animated series Happily Ever After: Fairy Tales for Every Child (1999).

A new Armor Wars mini-series appears as part of the 2015 Secret Wars storyline. The Battleworld domain associated with this mini-series is called Technopolis where its inhabitants are forced to wear Iron Man armors due to a disease and will have that area's Tony Stark and Arno Stark as rival manufacturers.[5] In the futuristic domain of Technopolis, War Machine (who is the Thor Corps operative of Technopolis) answers a challenge to fight Titanium Man while suspecting that he's being tested. Titanium Man mocks War Machine's position as the Thor of the Domain of Technopolis, but is easily defeated. Iron Man arrives and the two banter about Tony's political position as Baron before talk turns to War Machine's gut feeling over the reasoning behind the duel.


