Age: 61
male
Chris Eigeman (born March 1, 1965) is an American actor best known for roles in the Whit Stillman films Metropolitan, Barcelona, and The Last Days of Disco. He usually plays quick-witted, articulate characters, who speak with a healthy dose of sarcasm. Eigeman also appeared in the films Kicking and Screaming, Crazy Little Thing (aka The Perfect You), Mr. Jealousy, Maid in Manhattan in 2002 as John Bextrum, Highball, The Treatment (2006) and the TV series It's Like, You Know..., Gilmore Girls (as Jason Stiles), Malcolm in the Middle, Homicide: Life on the Street, and Fringe. In 1992 he filmed a pilot for an American version of the British cult sci-fi television show Red Dwarf playing the part of Arnold Rimmer, but the show was not picked up as a series. During the mid-1990s he appeared in a series of television advertisements for Pacific Bell that highlighted his sarcastic, straight ahead delivery. In these spots, Eigeman always appeared in dark suit and tie, regardless of the situation. He wrote and directed the film Turn the River. Description above from the Wikipedia article Chris Eigeman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything, from where they want to live to how they met in the first place. Add to the mix an eighty-seven-year-old woman who has lived long enough not to be afraid of someone waving a gun in her face, a flustered but still-ready-to-make-a-deal real estate agent, and a mystery man who has locked himself in the apartment’s only bathroom, and you’ve got the worst group of hostages in the world. Each of them carries a lifetime of grievances, hurts, secrets, and passions that are ready to boil over. None of them is entirely who they appear to be. And all of them—the bank robber included—desperately crave some sort of rescue. As the authorities and the media surround the premises these reluctant allies will reveal surprising truths about themselves and set in motion a chain of events so unexpected that even they can hardly explain what happens next.
