Age: 46
male
Diego Dionisio Luna Alexander (Spanish: [ˈdjeɣoˈluna aleɣˈsandeɾ]; born 29 December 1979) is a Mexican actor, director, and producer, best known for his portrayal of Cassian Andor in Rogue One: A Star Wars Story (2016) and the Disney+ series Andor (2022–2025), for which he was nominated for a Golden Globe Award for Best Actor - Television Series Drama. Following an early career in Mexican telenovelas, Luna had his breakthrough in the critically acclaimed 2001 film Y tu mamá también. During the 2000s, he appeared in both Mexican and American films, including Frida, Open Range, Dirty Dancing: Havana Nights, The Terminal, Criminal, Milk, Sólo quiero caminar, and Rudo y Cursi. In the 2010s, his films included the science fiction film Elysium, the comedy Casa de mi Padre, and the animated musical The Book of Life. From 2018 to 2020, he starred as the drug trafficker Miguel Ángel Félix Gallardo in Narcos: Mexico. Luna has appeared in numerous Mexican theatre productions and has produced both film and television projects, many of which feature Gael García Bernal. Since 2010, he has directed three feature films: Abel, Cesar Chavez, and Mr. Pig. He is the creator and director of the 2013 Fusion TV docu-series Back Home, the Amazon Studios talk show Pan y Circo, which premiered in 2020, and the 2021 Netflix scripted series Everything Will Be Fine. In 2025, Time magazine listed Luna as one of the world's 100 most influential people. Description above from the Wikipedia article Diego Luna, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The series takes place in a parallel universe where supernatural creatures and powers are real and their presence is public knowledge. Supernatural beings are considered citizens with most of the rights of regular humans. The novels follow legal vampire executioner Anita Blake's ongoing conflicts with the supernatural as she attempts to solve a variety of mysteries, come to terms with her own abilities, and navigate an increasingly complex series of romantic and political relationships. As the series progresses, Anita's perspective on the supernatural changes; initially she sees preternatural beings simply as "monsters" to be fought, and later grows to see them as communities to be protected, as well as possible love interests.
