Age: 29
female
Isabelle Fuhrman (born February 25, 1997) is an American actress. She has one older sister, Madeline, and her parents are Elina and Nick Fuhrman. Her career began when a casting director from Cartoon Network spotted her waiting for her sister and cast her for one of the shows, Cartoon Fridays. Isabelle's first acting gig came in 2006 when she booked a commercial for Rooms to Go furniture, and within a month she was asked to fly to LA to audition for shows. During that time, she scored a bunch of commercial and film roles. Isabelle also appeared in several comedy skits on The Tonight Show with Jay Leno (1992), and shortly thereafter her family moved to Los Angeles so she could further pursue her dream. Isabelle's big break came when she played Esther in Orphan (2009), which landed her critical acclaim and was hailed as "one of the most momentous examples of acting from a child performer in years." She has won the role of Clove in The Hunger Games (2012), the big-screen adaptation of literary sensation The Hunger Games. That went on to become one of the highest-grossing movies ever with over $407 million at the domestic box office. Isabelle has been featured in spreads for magazines such as Vanity Fair, Nylon, Marie Claire, Teen Vogue, V, H, Bust and Last magazine.
Every enchantment has a price. With a flick of her paintbrush, Isobel creates stunning portraits for a dangerous set of clients: the fair folk. These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life. Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts? Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.
