Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Every enchantment has a price. With a flick of her paintbrush, Isobel creates stunning portraits for a dangerous set of clients: the fair folk. These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life. Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts? Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.
