Age: 37
female
Nikolina Konstantinova Dobreva (born January 9, 1989), better known as Nina Dobrev, is a Canadian actress. Her first acting role was of Mia Jones in the drama series Degrassi: The Next Generation. She later became known for portraying Elena Gilbert and Katherine Pierce on The CW's supernatural drama series The Vampire Diaries. Born in Sofia and raised in Toronto, Dobrev made her screen debut playing minor roles in various films. Following her television success, she appeared in a variety of films, including the 2012 coming-of-age drama The Perks of Being a Wallflower, the comedies Let's Be Cops and The Final Girls (2014), and the 2017 science-fiction drama Flatliners. Her biggest commercial success came with XXX: Return of Xander Cage (2017). She also starred in the romantic comedies Dog Days (2018), Then Came You (2018), and Love Hard (2021), and had a leading role in the sitcom Fam (2019).
Every enchantment has a price. With a flick of her paintbrush, Isobel creates stunning portraits for a dangerous set of clients: the fair folk. These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life. Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts? Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.
