Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the drinks, dinners, rituals, and games that form their days all reflect the rich bonds between them. This weekend, however, something is different. An unforeseen curdling of envy and resentment will erupt into an unspeakable act, the ramifications of which are enormous. Accusations, denials, and shattered illusions follow, driving wedges between friends, spouses, children and parents, and exposing the treacherous fault lines on which these families have dwelt. Written with hypnotic elegance and molten precision, and announcing the arrival of a major literary talent, Hal Ebbott’s Among Friends examines the aftermath of betrayal within the sanctuary of a defining relationship. It explores themes of class, marriage, friendship, and power, as well as the things we tell ourselves to preserve our finely made worlds.
