Age: 51
male
Michael Corbett Shannon (born August 7, 1974) is an American actor, producer, musician, and theatre director. He has been nominated twice for the Academy Award for Best Supporting Actor for his roles in the Sam Mendes period drama Revolutionary Road (2008) and the Tom Ford psychological thriller Nocturnal Animals (2016). He earned Screen Actors Guild Award and Golden Globe Award nominations for his role in 99 Homes (2014), and a Tony Award nomination for Best Featured Actor in a Play for the Broadway revival of Eugene O'Neill's Long Day's Journey into Night (2016). Shannon made his film debut in 1993 with Groundhog Day and received widespread attention for his performance in 8 Mile (2002). He is known for his on-screen versatility, performing in both comedies and dramas such as Pearl Harbor (2001), Bad Boys II (2003), Bug (2006), Before the Devil Knows You're Dead (2007), Bad Lieutenant: Port of Call New Orleans (2009), The Iceman (2012), Premium Rush (2012), The Night Before (2015), The Shape of Water (2017) and Knives Out (2019). He played Superman's Kryptonian adversary General Zod in Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016), and is set to reprise the role in The Flash (2022). Shannon is a frequent collaborator of Jeff Nichols, appearing in all of his films: Shotgun Stories (2007), Take Shelter (2011), Mud (2012), Midnight Special, and Loving (both 2016). He is also known for his role as Nelson Van Alden in the HBO period drama series Boardwalk Empire (2010–2014), for which he was nominated for three Screen Actors Guild Awards. In 2021, he had a main role in the Hulu drama miniseries Nine Perfect Strangers.
Michael Shannon
Pete Bondurant
for Pete Bondurant in American Tabloid
Suggested by cletusvandamme
The essential contention of the Underworld USA trilogy ... is that America was never innocent. Here's the lineage: America was founded on a bedrock of racism, slaughter of the indigenous people, slavery, religious lunacy ... and nations are never innocent. Let alone nations as powerful as our beloved fatherland. What you have in The Cold Six Thousand — which covers the years '63 to '68 — is that last gasp of pre-public-accountability America where the anti-communist mandate justified virtually any action. And it wasn't Kennedy's death that engendered mass skepticism. It was the protracted horror of the Vietnamese war.
