Age: 56
female
Uma Karuna Thurman is an American actress, writer, producer and model. She has acted in a variety of films, from romantic comedies and dramas to science fiction and action films. Following her appearances on the December 1985 and May 1986 covers of British Vogue, Thurman's breakthrough role was Dangerous Liaisons (1988) in which she starred. She rose to international prominence with her role as Mia Wallace in Quentin Tarantino's 1994 film Pulp Fiction, for which she was nominated for the Academy Award, the BAFTA Award, and the Golden Globe Award for Best Supporting Actress. Often hailed as Tarantino's muse, she reunited with the director to play the main role of The Bride in Kill Bill: Volume 1 and 2 (2003, 2004), which brought her two additional Golden Globe Award nominations. Established as a Hollywood leading lady, her other notable films include Henry & June (1990), The Truth About Cats & Dogs (1996), Batman & Robin (1997), Gattaca (1997), Les Misérables (1998), Paycheck (2003), The Producers (2005), My Super Ex-Girlfriend (2006), Percy Jackson & the Olympians: The Lightning Thief (2010), Lars von Trier's Nymphomaniac (2013) and The House That Jack Built (2018). In 2011, Thurman was a member of the jury for the main competition at the 64th Cannes Film Festival, and in 2017, she was named president of the 70th edition's "Un Certain Regard" jury. Thurman made her Broadway debut in The Parisian Woman (2017–2018). For her performance in the made-for-HBO film Hysterical Blindness (2002), Thurman won the Golden Globe Award for Best Actress in a Television Film, and for her five-episode role in the NBC musical series Smash (2012), she received a Primetime Emmy Award nomination for Outstanding Guest Actress in a Drama Series. Thurman has starred in the miniseries The Slap (2015) and the series Imposters (2017–2018). Description above from the Wikipedia article Uma Thurman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
American Psycho is the story of Patrick Bateman, a rich, arrogant, twenty-something yuppie in 1980’s New York, who also happens to be an insane serial killer. He is the quintessential citizen of consumer society who consumes the victims of his insanity, all with the same disengaged obsession he uses in choosing outfits. There is no real plot, no consistent time line, rather it is told as a series of events from Bateman’s point of view. Furthermore there is no real character development; Bateman does not seem to see his “friends” or acquaintances as people, instead he observes them as objects. He does not describe those he comes across by their physical characteristics or their personalities, but rather by what they are wearing and who designed it. At times these descriptions can get downright tedious, but I believe that this is the way Bateman perceives everything… as blatantly boring.
