Age: 62
female
Jennifer Beals (born December 19, 1963) is an American actress and a former teen model. She is known for her roles as Alexandra "Alex" Owens in the 1983 film Flashdance, and as Bette Porter on the Showtime drama series The L Word. She earned an NAACP Image Award and a Golden Globe Award nomination for the former. She has appeared in more than 50 films. Beals was born on the South Side of Chicago, the daughter of Jeanne (née Anderson), an elementary school teacher, and Alfred Beals, who owned grocery stores. She is multiracial; her father was African American, and her mother is Irish American. She has two brothers, Bobby and Gregory.Her father died when Beals was nine years old, and her mother married Edward Cohen in 1981. Beals has said her biracial heritage had some effect on her, as she "always lived sort of on the outside", with an idea "of being the other in society". She got her first job at age 13 at an ice cream store, using her height at the time (she is now nearly 5 ft 9 in (1.75 m)), to convince her boss she was 16. Beals was inspired to become an actress by two events: doing a high school production of Fiddler on the Roof and seeing Balm in Gilead with Joan Allen while volunteer-ushering at the Steppenwolf Theatre. Beals graduated from the progressive Francis W. Parker School. She also was chosen to attend the elite Goodman Theatre Young People's Drama Workshop. Beals attended Yale University, receiving a B.A. in American literature in 1987; she deferred a term so she could film Flashdance. While at Yale, Beals was a resident of Morse College. Description above from the Wikipedia article Jennifer Beals, licensed under CC-BY-SA, full list of contributors on Wikipedia.
essa is a good girl with a sweet, reliable boyfriend back home. She’s got direction, ambition, and a mother who’s intent on keeping her that way. But she’s barely moved into her freshman dorm when she runs into Hardin. With his tousled brown hair, cocky British accent, tattoos and lip ring, Hardin is cute and different from what she's used to. But he's also rude—to the point of cruelty, even. For all his attitude, Tessa should hate Hardin. And she does—until she finds herself alone with him in his room. Something about his dark mood grabs her, and when they kiss it ignites within her a passion she’s never known before. He'll call her beautiful, then insist he isn't the one for her and disappear again and again. Despite the reckless way he treats her, Tessa is compelled to dig deeper and find the real Hardin beneath all his lies. He pushes her away again and again, yet every time she pushes back, he only pulls her in deeper. Tessa already has the perfect boyfriend. So why is she trying so hard to overcome her own hurt pride and Hardin's prejudice about nice girls like her? Unless...could this be love?
