Age: 37
male
Daniel Kaluuya (/kəˈluːjə/; born 24 February 1989) is a British actor and filmmaker. His work encompasses both screen and stage, and his accolades include an Academy Award, two British Academy Film Awards, and a Golden Globe Award. In 2021, he was named among the 100 most influential people in the world by Time magazine. Kaluuya began his acting career as a teenager in improvisational theatre. He played Posh Kenneth in the first two seasons of the television series Skins (2007–2009); he also co-wrote some of the episodes. Kaluuya drew praise for his leading performance in Sucker Punch at the Royal Court Theatre in 2010. He went on to gain attention for his television roles in Psychoville (2009–2011), The Fades (2011), and the Black Mirror episode "Fifteen Million Merits" (2011). He also had supporting roles in the films Johnny English Reborn (2011), Kick-Ass 2 (2013), and Sicario (2015). In 2017, Kaluuya had his breakthrough starring in Jordan Peele's horror film Get Out, which garnered him a nomination for the Academy Award for Best Actor. This was followed by roles in Ryan Coogler's superhero film Black Panther (2018), Steve McQueen's crime drama Widows (2018), Peele's horror film Nope (2022), and Sony Pictures Animation's animated superhero film Spider-Man: Across the Spider-Verse (2023). For his portrayal of Black Panther Party leader Fred Hampton in the biopic Judas and the Black Messiah (2021), he won the BAFTA and Academy Award for Best Supporting Actor. He has since co-directed the drama The Kitchen (2023). Description above from the Wikipedia article Daniel Kaluuya, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Absalom, Absalom! details the rise and fall of Thomas Sutpen, a white man born into poverty in West Virginia who moves to Mississippi with the complementary aims of gaining wealth and becoming a powerful family patriarch. The story is told entirely in flashbacks narrated mostly by Quentin Compson to his roommate at Harvard University, Shreve, who frequently contributes his own suggestions and surmises. The narration of Rosa Coldfield, and Quentin's father and grandfather, are also included and re-interpreted by Shreve and Quentin, with the total events of the story unfolding in nonchronological order and often with differing details. This results in a peeling-back-the-onion revelation of the true story of the Sutpens. Rosa initially narrates the story, with long digressions and a biased memory, to Quentin Compson, whose grandfather was a friend of Sutpen's. Quentin's father then fills in some of the details to Quentin. Finally, Quentin relates the story to his roommate Shreve, and in each retelling, the reader receives more details as the parties flesh out the story by adding layers. The final effect leaves the reader more certain about the attitudes and biases of the characters than about the facts of Sutpen's story.
