Age: 26
female
Bailee Madison Riley (born October 15, 1999) is an American actress and singer. She first gained acclaim for her role as May Belle Aarons in the fantasy drama film Bridge to Terabithia (2007). Madison received further recognition for her starring roles as Isabelle in the war drama film Brothers (2009), Sally Hurst in the horror film Don't Be Afraid of the Dark (2010), Maggie in the romantic comedy film Just Go with It (2011), Harper Simmons in the comedy film Parental Guidance (2012), Ida Clayton in the family film Cowgirls 'n Angels (2012), Clementine in the fantasy film Northpole (2014), Kinsey in the slasher film The Strangers: Prey at Night (2018), and Avery in the Netflix film A Week Away (2021). On television, she appeared as Maxine Russo in the fantasy sitcom Wizards of Waverly Place (2011), young Snow White in the fantasy drama series Once Upon a Time (2012–2016), Hillary Harrison in the sitcom Trophy Wife (2013–2014), and Sophia Quinn in the drama series The Fosters (2014–2016). From 2015 to 2021, Madison starred as Grace Russell in the Hallmark Channel comedy-drama series Good Witch. In 2022, she began her role as Imogen Adams in the horror thriller series Pretty Little Liars: Original Sin, a spinoff of Pretty Little Liars.
Remy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former co-worker of Remy’s who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart. Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beachside paradise, threatening to erupt. As small disturbances escalate into outright horror, we find ourselves tumbling with Remy and Alicia into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like?
