Age: 23
female
Oona Laurence (born August 1, 2002) is an American actress who is best known for originating the role of Matilda Wormwood in Matilda on Broadway alongside Bailey Ryon, Milly Shapiro, and Sophia Gennusa. She is a New York City-based child actress with credits in film, theatre, and television. After several appearances in regional theatre productions and minor roles in short films and television episodes, in 2012, Laurence auditioned for the new musical Matilda on Broadway. Laurence landed the role of Matilda, performing in the show from March 4 to December 15, 2013. After Matilda, Laurence transitioned to film acting appearing in Tumorhead, A Little Game, The Grief of Others, I Smile Back, Damsel, Lamb, and Southpaw, portraying the daughter of Jake Gyllenhaal and Rachel McAdams' characters. She has appeared on television in Law & Order: Special Victims Unit and Orange Is the New Black. In 2015, Laurence co-starred opposite Jake Gyllenhaal and Rachel McAdams in Antoine Fuqua's Southpaw. In 2016, she co-starred as Natalie in the film Pete's Dragon, and portrayed Jane Mitchell, the daughter of Mila Kunis' character Amy Mitchell, in Bad Moms. In 2017, Laurence co-starred opposite Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning in Sofia Coppola's The Beguiled. She is the voice of Hedgehog and additional characters in the Cartoon Network series Summer Camp Island. She also performs the theme song. Laurence lives in New York City and has two younger sisters, Aimee and Jetè, who are also actresses.
Growing up in rural Wisconsin, Eleanor O'Hanlon always felt different. In love with musical theater from a young age, she memorized every show album she could get her hands on. So when she discovers an open call for one of her favorite productions, she leaves behind everything she knows to run off to New York City and audition. Raw and untrained, she catches the eye of famed composer Don Mannheim, who catapults her into the leading role of his new work, A Tender Thing, a provocative love story between a white woman and black man, one never before seen on a Broadway stage. As news of the production spreads, setting off an outpouring of protest that threatens the possibility of the show itself, Eleanor is forced to confront her own naive beliefs about the world. Pulsing with the vitality and drive of 1950s New York, A Tender Thing immerses readers right into the heart of Broadway's Golden Age, a time in which the music soared and the world was on the brink of change.
