Age: 52
male
Rian Craig Johnson (born December 17, 1973) is an American filmmaker. He made his directorial debut with the neo-noir mystery film Brick (2005), which received positive reviews and grossed nearly $4 million on a $450,000 budget. Transitioning to higher-profile films, Johnson achieved mainstream recognition for writing and directing the science-fiction thriller Looper (2012) to critical and commercial success. Johnson landed his largest project when he wrote and directed the space opera Star Wars: The Last Jedi (2017), which grossed over $1 billion. He returned to the mystery genre with Knives Out (2019) and its sequel Glass Onion (2022), both of which earned him Academy Award nominations for Best Original Screenplay and Best Adapted Screenplay, respectively. Additionally, Johnson is also known for directing three highly acclaimed episodes for the television series Breaking Bad (2008–2013), namely "Ozymandias," "Fly," and "Fifty-One"; for the latter, he received the Directors Guild of America Award for Outstanding Directing—Drama Series in 2013. He also created a murder mystery series titled Poker Face for Peacock with Natasha Lyonne. Johnson was named one of the 100 most influential people in the world by Time magazine in 2023. Description above from the Wikipedia article Rian Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Rian Johnson
Director
for Director in A Streetcar Named Desire
Suggested by demurelyhydrated
Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown of Laurel, Mississippi, for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley and Stella's (Blanche's sister) doorstep as nervous exhaustion. This, she claims, is the result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Suspicious, Stanley points out that "under Louisiana's Napoleonic code what belongs to the wife belongs to the husband." Stanley, a sinewy and brutish man, is as territorial as a panther. He tells Blanche he doesn't like to be swindled and demands to see the bill of sale. This encounter defines Stanley and Blanche's relationship. They are opposing camps and Stella is caught in no-man's-land. But Stanley and Stella are deeply in love. Blanche's efforts to impose herself between them only enrages the animal inside Stanley. When Mitch -- a card-playing buddy of Stanley's -- arrives on the scene, Blanche begins to see a way out of her predicament. Mitch, himself alone in the world, reveres Blanche as a beautiful and refined woman. Yet, as rumors of Blanche's past in Auriol begin to catch up to her, her circumstances become unbearable.
