
Age: 50
male
Lorne Balfe (born 23 February 1976) is a Scottish composer of film, television and video game scores. A veteran of Hans Zimmer's Remote Control Productions, Balfe's scoring credits include the films Megamind, Penguins of Madagascar, Home, Terminator Genisys, 13 Hours: The Secret Soldiers of Benghazi, The Lego Batman Movie, Mission: Impossible – Fallout and its sequel Mission: Impossible – Dead Reckoning Part One, Bad Boys for Life and its sequel Bad Boys: Ride or Die, Black Widow, Black Adam, Dungeons & Dragons: Honor Among Thieves, Gran Turismo, and Beverly Hills Cop: Axel F, as well as the video games Assassin's Creed: Revelations, Assassin's Creed III, Crysis 2, Skylanders, and Call of Duty: Modern Warfare 2. He has also scored the television series The Bible, Marcella, The Crown, and Genius, the latter for which he earned a nomination for a Primetime Emmy Award for Outstanding Original Main Title Theme Music. He also collaborates with directors Michael Bay, Chris McKay, Christopher McQuarrie, Adil El Arbi, Bilall Fallah, and Mikael Håfström. He composed the new fanfare for Skydance Media transcribed as There's a World, There's A Moon. Balfe also composed the Annapurna Pictures deep note opening logo. Balfe is also involved in The Game Awards, serving as the conductor of the Game Awards Orchestra and the composer and arranger of several musical performances featured at the show. Since The Game Awards 2018, he has composed a medley of the themes of the six nominees for Game of the Year each year, presented as the award at the end of the show. Description above from the Wikipedia article Lorne Balfe, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Lorne Balfe

Composer
for Composer in A Streetcar Named Desire
Suggested by demurelyhydrated

Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown of Laurel, Mississippi, for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley and Stella's (Blanche's sister) doorstep as nervous exhaustion. This, she claims, is the result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Suspicious, Stanley points out that "under Louisiana's Napoleonic code what belongs to the wife belongs to the husband." Stanley, a sinewy and brutish man, is as territorial as a panther. He tells Blanche he doesn't like to be swindled and demands to see the bill of sale. This encounter defines Stanley and Blanche's relationship. They are opposing camps and Stella is caught in no-man's-land. But Stanley and Stella are deeply in love. Blanche's efforts to impose herself between them only enrages the animal inside Stanley. When Mitch -- a card-playing buddy of Stanley's -- arrives on the scene, Blanche begins to see a way out of her predicament. Mitch, himself alone in the world, reveres Blanche as a beautiful and refined woman. Yet, as rumors of Blanche's past in Auriol begin to catch up to her, her circumstances become unbearable.





