Age: 51
female
Stephanie Szostak (born 5 August 1975) is a French-American actress who started her career in the early 2000s. She has since appeared in The Devil Wears Prada and Dinner for Schmucks, as well as apearing in many television series such as Season 8 of Law & Order: Criminal Intent (2008) and season 6 of The Sopranos. Szostak is half-French and half-American, and was raised in the suburbs of Paris, France. She moved to the United States to study business at The College of William & Mary in Williamsburg, Virginia. After graduating, she moved to New York and worked for Chanel in marketing but soon realized she was in the wrong profession and switched to acting after taking some classes. New York Times movie critic Stephen Holden described her as a "smoldering star" when he saw her performance in the 2006 film Satellite. Szostak, her Polish married name, is pronounced "Show-stack". Description above from the Wikipedia article Stephanie Szostak, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In their hometown of Five Fingers, Michigan, the O'Donnells and the Angerts have mythic legacies. But for all the tall tales they weave, both founding families are tight-lipped about what caused the century-old rift between them, except to say it began with a cherry tree. Eighteen-year-old Jack “June” O’Donnell doesn't need a better reason than that. She's an O'Donnell to her core, just like her late father was, and O'Donnells stay away from Angerts. Period. But when Saul Angert, the son of June's father's mortal enemy, returns to town after three mysterious years away, June can't seem to avoid him. Soon the unthinkable happens: She finds she doesn't exactly hate the gruff, sarcastic boy she was born to loathe. Saul’s arrival sparks a chain reaction, and as the magic, ghosts, and coywolves of Five Fingers conspire to reveal the truth about the dark moment that started the feud, June must question everything she knows about her family and the father she adored. And she must decide whether it's finally time for her—and all of the O'Donnells before her—to let go.
