Age: 54
female
Carla Gugino (/ɡʊˈdʒiːnoʊ/ guu-JEE-noh; born August 29, 1971) is an American actress. After early roles in the films Troop Beverly Hills (1989), This Boy's Life (1993), Son in Law (1993), and Snake Eyes (1998), Gugino received wider recognition for her starring roles in the Spy Kidstrilogy (2001–2003), Sin City (2005), Night at the Museum (2006), American Gangster (2007), Righteous Kill (2008), Race to Witch Mountain (2009), Sally Jupiter in Watchmen (2009), Sucker Punch (2011), Mr. Popper's Penguins (2011), San Andreas (2015), Gerald's Game (2017), Gunpowder Milkshake (2021), and Lisa Frankenstein (2024). Gugino also starred in the crime drama series Karen Sisco (2003), the science fiction series Threshold (2005–2006), the crime drama series Jett (2019), and the supernatural horror miniseries The Haunting of Hill House (2018), The Haunting of Bly Manor (2020), and The Fall of the House of Usher (2023). Description above from the Wikipedia article Carla Gugino, licensed under CC-BY-SA, full list of contributors on Wikipedia.
For as long as Jack “June” O’Donnell has been alive, her parents have had only one rule: stay away from the Angert family. But when June collides—quite literally—with Saul Angert, sparks fly, and everything June has known is thrown into chaos. Who exactly is this gruff, sarcastic, but seemingly harmless boy who has returned to their hometown of Five Fingers, Michigan, after three mysterious years away? And why has June—an O’Donnell to her core—never questioned her late father’s deep hatred of the Angert family? After all, the O’Donnells and the Angerts may have mythic legacies, but for all the tall tales they weave, both founding families are tight-lipped about what caused the century-old rift between them. As Saul and June’s connection grows deeper, they find that the magic, ghosts, and coywolves of Five Fingers seem to be conspiring to reveal the truth about the harrowing curse that has plagued their bloodlines for generations. Now June must question everything she knows about her family and the father she adored, and she must decide whether it’s finally time for her—and all the O’Donnells before her—to let go.
