
Age: 53
male
Jean-Christophe Beck (born 1968) is a Canadian television and film score composer. He is best known for his collaborations with Disney and its subsidiaries, which include composing the soundtracks of The Muppets (2011) and Muppets Most Wanted (2014), Frozen (2013) and Frozen 2 (2019), the Marvel Cinematic Universe films Ant-Man (2015), Ant-Man and the Wasp (2018), and Ant-Man and the Wasp: Quantumania (2023) as well as the TV miniseries WandaVision (2021), Hawkeye (2021), and Agatha All Along (2024) for Marvel Studios, and Free Guy (2021) for 20th Century Studios, as well as Disney's 100th anniversary logo. He composed the scores for several of Shawn Levy's films, including Big Fat Liar (2002), Just Married (2003), Cheaper by the Dozen (2003), The Pink Panther (2006), The Internship (2013), and Free Guy (2021). Notably, he won an Emmy Award in 1998 for his work on the television series Buffy the Vampire Slayer. He is also known for composing the scores of the film series The Hangover (2009-2013). He is the older brother of composer, pianist and rapper Chilly Gonzales. Description above from the Wikipedia article Christophe Beck, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Christophe Beck

Composer
for Composer in A Marvel Studios Special Presentation: Jessica Jones: Fractured City
Suggested by erentan

In the grimy, rain-slicked streets of Hell's Kitchen, cynical private investigator Jessica Jones is reluctantly pulled into a supernatural crossfire when a powerless, deeply traumatized Wanda Maximoff seeks refuge in Alias Investigations. Hunted by Nicola Zosimos, the fanatical "Hexfinder" who uses advanced technology to violently eradicate magic, Wanda is on the brink of psychological collapse. The conflict escalates when Zosimos's crusade inadvertently threatens the oceans, drawing the fierce Talokanil warrior Namora to the surface. Grounded by a brief but grounding reunion with Luke Cage, Jessica realizes Wanda isn't a threat, but a survivor. Instead of clashing, these three fiercely independent women form an unlikely sisterhood bonded by trauma and the shared burden of being labeled "monsters." They lure the Hexfinder into the abandoned, flooded subway tunnels of New York, shifting the battle away from cosmic spectacles to a gritty, street-level showdown where Jessica’s raw brawn and Namora’s aquatic lethality buy Wanda the time she desperately needs. The climax hinges not on world-ending magic, but on emotional resilience. As Jessica and Namora dismantle the heavily armed mercenaries, Wanda momentarily mends her shattered mind to deliver a concentrated, reality-bending hex that neutralizes Zosimos without taking a life. As dawn breaks over the fractured city, Namora returns to the depths with a nod of warrior's respect, leaving the two remaining women to share a quiet, poignant farewell that speaks volumes about their shared survival. Finally choosing to stop running from her grief, Wanda uses the last of her sparking power to tear open a crimson portal—stepping through to face her true self and directly setting the stage for her highly anticipated Scarlet Witch solo film. Left alone in her office, Jessica pours a drink, ready to watch over the cracks of the city once more.