Age: 18
female
Ever Gabo Anderson, born on November 3, 2007, in Toronto, Canada, is a Canadian-American actress and model. She is the daughter of American actress Milla Jovovich and British director Paul W. S. Anderson, and has two younger sisters, Dashiel and Osian. Her ancestry includes Russian and Serbian roots from her mother's side and English heritage from her father's lineage. Despite initial attempts by her parents to dissuade her from pursuing acting, Ever remained steadfast in her pursuit. Fluent in English and Russian, she is also proficient in French, residing in Hollywood Hills, Los Angeles, California, where she practices taekwondo. At the age of nine, Ever graced the cover of Vogue Bambini, photographed by Ellen von Unwerth, and captured the attention of renowned photographers like Karl Lagerfeld, Mikael Jansson, and Peter Lindbergh. Her debut in a feature film occurred in "Resident Evil: The Final Chapter" (2016), directed by her father. In this film, she portrayed a younger version of Alicia Marcus, a character her mother portrayed as an adult. Ever gained recognition for her portrayal of the young Natasha Romanoff in the film "Black Widow". Additionally, she played the role of Wendy Darling in the film "Peter Pan & Wendy", marking significant milestones in her burgeoning career as an actress.
Ever Anderson
Marjorie Barrett
for Marjorie Barrett in A Head Full of Ghosts
Suggested by elmacho
The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.
