Age: 43
female
Elisabeth Singleton Moss (born July 24, 1982) is an American actor and producer. She is known for her work in several television dramas, earning such accolades as two Primetime Emmy Awards and two Golden Globe Awards, which led Vulture to name her the "Queen of Peak TV". Moss began acting in the early 1990s and first gained recognition for playing Zoey Bartlet, the youngest daughter of President Josiah Bartlet, in the NBC political drama series The West Wing (1999–2006). Wider recognition came for playing Peggy Olson, a secretary-turned-copywriter, in the AMC period drama series Mad Men (2007–2015). She won the Golden Globe Award for Best Actress – Miniseries or Television Film for playing a detective in the BBC miniseries Top of the Lake (2013), and she won the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series and Outstanding Drama Series for producing and starring in the Hulu dystopian drama series The Handmaid's Tale (2017–present). In film, Moss has appeared in Girl, Interrupted (1999), Virgin (2003), Get Him to the Greek (2010), The One I Love (2014), Listen Up Philip (2014), Queen of Earth (2015), The Square (2017), The Seagull (2018), Her Smell (2018), Us (2019), and The Invisible Man (2020). Her theatre work includes Broadway productions of David Mamet's Speed the Plow and Wendy Wasserstein's The Heidi Chronicles. For the latter, she received a nomination for the Tony Award for Best Actress in a Play. She has also appeared in the West End production of Lillian Hellman's The Children's Hour. Description above from the Wikipedia article Elisabeth Moss, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Elisabeth Moss
Karen Brissette
for Karen Brissette in A Head Full of Ghosts
Suggested by elmacho
The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.
