Age: 36
female
Mia Wasikowska (/ˌvʌʃɪˈkɒfskə/ VUSH-i-KOF-skə; born 25 October 1989) is an Australian actress. She made her screen debut on the Australian television drama All Saints in 2004, followed by her feature film debut in Suburban Mayhem (2006). She became known to a wider audience following her critically acclaimed work on the HBO television series In Treatment (2008). She was nominated for the Independent Spirit Award for Best Supporting Female for the film That Evening Sun (2009). Wasikowska gained worldwide recognition in 2010 after starring as Alice in Tim Burton's Alice in Wonderland and appearing in the comedy-drama film The Kids Are All Right. She starred in Cary Fukunaga's Jane Eyre (2011), Gus Van Sant's Restless (2011), Park Chan-wook's Stoker (2013), Jim Jarmusch's Only Lovers Left Alive (2013), John Curran's Tracks (2013), Richard Ayoade's The Double (2013), David Cronenberg's Maps to the Stars (2014), and Guillermo del Toro's Crimson Peak (2015). In 2016, she reprised her role as Alice in the film Alice Through the Looking Glass and has since appeared in several independent films, including Damsel (2018), Judy and Punch (2019), and Bergman Island (2021). Description above from the Wikipedia article Mia Wasikowska, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mia Wasikowska
Sarah Barrett
for Sarah Barrett in A Head Full of Ghosts
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The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface--and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.
