
Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Anya Taylor-Joy

Hallie Goodman
for Hallie Goodman in A Cosmic Kind of Love
Suggested by saltmeister

When event planner Hallie Goodman receives party-inspiration material from the bride of her latest wedding project, the last thing she expects to find in the files are digital videos from Darcy’s ex-boyfriend. Hallie knows it’s wrong to keep watching these personal videos, but this guy is cute, funny, and an astronaut on the International Space Station to boot. She’s only human. And it’s not long until she starts sending e-mails and video diaries to his discontinued NASA address. Since they’re bouncing back, there’s no way anyone will ever be able to see them... right? Christopher Ortiz is readjusting to life on earth and being constantly in the shadow of his deceased older brother. When a friend from NASA’s IT department forwards him the e-mails and video messages Hallie has sent, he can’t help but notice how much her sense of humor and pink hair make his heart race. Separated by screens, Hallie and Chris are falling in love with each other, one transmission at a time. But can they make their star-crossed romance work when they each learn the other’s baggage?


