
Age: 67
female
Dame Emma Thompson (born April 15, 1959) is a British actress and screenwriter. Her work spans over four decades of screen and stage, and her accolades include two Academy Awards, three BAFTA Awards, two Golden Globe Awards and a Primetime Emmy Award. In 2018, she was made a dame (DBE) by Queen Elizabeth II for her contributions to drama. Born to actors Eric Thompson and Phyllida Law, Thompson was educated at Newnham College, Cambridge, where she became a member of the Footlights troupe and appeared in the comedy sketch series Alfresco (1983–1984). In 1985, she starred in the West End revival of the musical Me and My Girl, which was a breakthrough in her career. In 1987, she became famous for her performances in two BBC series, Tutti Frutti and Fortunes of War, winning the BAFTA TV Award for Best Actress for her work on both series. In the early 1990s, she often collaborated with then-husband, actor and director Kenneth Branagh in films such as Henry V (1989), Dead Again (1991), and Much Ado About Nothing (1993). Thompson won the BAFTA Award and the Academy Award for Best Actress for her performance in the Merchant-Ivory period drama Howards End (1992). In 1993, she received two Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of the housekeeper of a grand household in The Remains of the Day and a lawyer in In the Name of the Father, becoming one of the few actors to achieve this feat. Thompson wrote and starred in Sense and Sensibility (1995), for which she won the Academy Award for Best Adapted Screenplay—making her the only person in history to win Oscars for both acting and writing—and once again won the BAFTA. Further critical acclaim came for her roles in Primary Colors (1998), Love Actually (2003), Saving Mr. Banks (2013), Late Night (2019), and Good Luck to You, Leo Grande (2022). Other notable film credits include the Harry Potter series (2004–2011), Nanny McPhee (2005), Stranger than Fiction (2006), An Education (2009), Men in Black 3 (2012) and the spin-off Men in Black: International (2019), Brave (2012), Beauty and the Beast (2017), Cruella (2021), and Matilda the Musical (2022). Her television credits include Wit (2001), Angels in America (2003), The Song of Lunch (2010), King Lear (2018) and Years and Years (2019). She portrayed Mrs. Lovett in a Lincoln Center production of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street in 2014. Authorised by the publishers of Beatrix Potter, Thompson has also written three Peter Rabbit children's books.

Emma Thompson

Female Mr. Soil
for Female Mr. Soil in A Bug's Life (Gender Swap)
Suggested by flintneutron1994

Ant Island is a colony of ants led by the Queen and her daughter, Princess Atta. Every season, they are forced to give food to a gang of marauding grasshoppers led by Hopper. One day, when Flik, an individualist and would-be inventor, inadvertently knocks the offering into a stream with his latest invention, a grain harvesting device, Hopper demands twice as much food as compensation. When Flik suggests in earnest that they seek help from other stronger bugs, the other ants see it as an opportunity to remove him and send him off. At the "bug city", which is a heap of trash under a trailer, Flik mistakes a troupe of Circus Bugs (who were recently dismissed by their greedy ringmaster, P.T. Flea) for the warrior bugs he seeks. The bugs, in turn, mistake Flik for a talent agent, and accept his offer to travel with him back to Ant Island. During a welcome ceremony upon their arrival, the Circus Bugs and Flik both discover their mutual misunderstandings. The Circus Bugs attempt to leave, but are attacked by a bird; while fleeing, they save Dot, Atta's younger sister, gaining the ants' respect in the process. At Flik's request, they continue the ruse of being "warriors", so the troupe can continue to enjoy the hospitality of the ants. Hearing that Hopper fears birds inspires Flik to create a false bird to scare away the grasshoppers. Meanwhile, Hopper tells his gang how greatly the ants outnumber them and worries that they will eventually rebel against them. The ants finish constructing the fake bird, but during a celebration, P.T. Flea arrives, searching for his troupe, and inadvertently reveals their secret. Outraged by Flik's deception, the ants exile him, and desperately attempt to gather food for a new offering to the grasshoppers. However, when Hopper returns to discover the mediocre offering, he takes over the island, and demands the ants' winter food supply, planning to assassinate the Queen afterwards. Overhearing the plan, Dot goes after Flik and the Circus Bugs to inform them, convincing them to return to Ant Island. After the Circus Bugs distract the grasshoppers long enough to rescue the Queen, Flik deploys the bird; it initially fools the grasshoppers, but P.T. Flea, who also mistakes it for a real bird, burns it, exposing it as a decoy. Hopper beats Flik in retaliation, saying that the ants are humble and lowly life forms who live to serve the grasshoppers. However, Flik responds that Hopper actually fears the colony, because he has always known what they are capable of, inspiring the ants and the Circus Bugs to fight back against the grasshoppers. The ants attempt to force Hopper out of Ant Island using P.T. Flea's circus cannon, but it suddenly begins to rain. In the ensuing chaos, Hopper frees himself from the cannon, and abducts Flik. After the Circus Bugs fail to catch them, Atta rescues Flik. As Hopper pursues them, Flik lures him to the nest of the bird he, Dot, and the Circus Bugs encountered earlier. Thinking that the bird is another decoy, Hopper taunts it before discovering in panic that it is real, and is captured and fed to its chicks. With their enemies gone, Flik has improved his inventions along with the quality of life for Ant Island, he and Atta become a couple, and they give Hopper's younger brother Molt, and a few ants to P.T. Flea as new members of his troupe. Atta and Dot respectively become the new queen and princess. The ants congratulate Flik as a hero, and bid a fond farewell to the circus troupe, who promise to return in the future.
