
Age: 41
female
Carey Hannah Mulligan (born 28 May 1985) is an English actress. She has received various accolades, including a British Academy Film Award, in addition to nominations for three Academy Awards, four Golden Globe Awards, and a Tony Award. She was appointed Commander of the Order of the British Empire (CBE) in 2024. Mulligan made her professional acting debut on stage in Kevin Elyot's play Forty Winks (2004) at the Royal Court Theatre. She made her film debut with a supporting role in Joe Wright's romantic drama Pride & Prejudice (2005), followed by diverse roles in television, including the drama series Bleak House (2005), the television film Northanger Abbey (2007), and guest starring in the Doctor Who episode "Blink" (2007). She made her Broadway debut in the revival of Anton Chekhov's The Seagull (2008). Mulligan's breakthrough role came as a 1960s schoolgirl in the coming-of-age film An Education (2009), for which she won the BAFTA Award for Best Actress and received a nomination for the Academy Award for Best Actress. Her career progressed with roles in Never Let Me Go (2010), Drive (2011), Shame (2011), Inside Llewyn Davis (2013), Far from the Madding Crowd (2015), Suffragette (2015), Mudbound (2017), Wildlife (2018), and She Said (2022), and she had her highest-grossing release in the period drama The Great Gatsby (2013). For her performance in the Broadway revival of David Hare's Skylight (2015), she was nominated for the Tony Award for Best Actress in a Play. She received further Academy Award nominations for her portrayals of a vigilante in the black comedy Promising Young Woman (2020) and Felicia Montealegre in the biopic Maestro (2023).

Carey Mulligan

Beatrice Hyde-Claire
for Beatrice Hyde-Claire in A Brazen Curiosity
Suggested by katedef

“A feisty heroine hiding behind a mousy facade…” England 1816 Twenty-six-year-old Beatrice Hyde-Clare is far too shy to investigate the suspicious death of a fellow guest in the Lake District. A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does.