Age: 75
male
Kurt Vogel Russell (born March 17, 1951) is an American actor. At 12, he began acting in the Western TV series The Travels of Jaimie McPheeters (1963–1964). In the late 1960s, he signed a ten-year contract with The Walt Disney Company, where he starred as Dexter Riley in films such as The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975). For his portrayal of rock and roll superstar Elvis Presley in Elvis (1979), he was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie. According to Robert Osborne of Turner Classic Movies, Russell became the studio's top star of the 1970s. Russell was nominated for a Golden Globe Award for Best Supporting Actor – Motion Picture for his performance in Mike Nichols's Silkwood (1983). Also in the 1980s, he starred in several films directed by John Carpenter in which he played anti-hero roles: the futuristic action film Escape from New York (1981), its sequel Escape from L.A.(1996), the horror film The Thing (1982), and the kung-fu comedy action film Big Trouble in Little China (1986). Russell starred in various other films, including Used Cars (1980), The Best of Times (1986), Overboard (1987), Tango & Cash (1989), Backdraft (1991), Tombstone (1993), Stargate (1994), Executive Decision (1996), Breakdown (1997), Vanilla Sky (2001), Miracle (2004), Sky High (2005), Death Proof (2007), The Hateful Eight (2015) and Once Upon a Time in Hollywood (2019). He also appeared in the Fast & Furious franchise as Mr. Nobody (starring in Furious 7 (2015), The Fate of the Furious (2017), and F9 (2021)). He also portrayed Ego in the Marvel Cinematic Universe (MCU) instalments Guardians of the Galaxy Vol. 2 (2017) and What If...?(2021), and played the role of Santa Claus in The Christmas Chronicles (2018) and The Christmas Chronicles 2 (2020).
Kurt Russell
Donald Pleasence
for Donald Pleasence in a Biopic about making Halloween (1978)
Suggested by akulabo
John Carpenter faces an impossible deadline. With a shoestring budget and a skeleton crew, he must transform a mundane suburban street into a landscape of pure dread. Every decision carries weight—the shape of a mask, the precision of a score, the relentless pace of an unseen killer. His collaborators push back. The studio doubts him. Time evaporates. Yet Carpenter refuses compromise. He channels his vision through every frame, bending limitations into strengths. A babysitter. A Shape. A night that changes cinema forever. What begins as desperation becomes obsession, then genius. Against all odds, in a modest California neighborhood, something transcendent emerges—a film that will haunt audiences for generations. Carpenter doesn't just make a movie. He births a nightmare that refuses to die.
