Age: 70
male
Andrés Arturo García Menéndez (born April 12, 1956) is an American actor, director, producer, and musician. He first rose to prominence acting in Brian De Palma's The Untouchables (1987) alongside Kevin Costner, Sean Connery, and Robert De Niro. He continued to act in films such as Stand and Deliver (1988), and Internal Affairs (1990). He then co-starred in Francis Ford Coppola's The Godfather Part III (1990) as Vincent Mancini, for which he was nominated for the Academy Award for Best Supporting Actor. He continued to act in Hollywood films such as Stephen Frears' Hero (1992), the romantic drama When a Man Loves a Woman (1994), and the action thriller Desperate Measures (1998). In 2000, he produced and acted in the HBO television film, For Love or Country: The Arturo Sandoval Story (2000), where he received a Primetime Emmy Award and a Golden Globe Award nominations. He also starred in Steven Soderbergh's Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). In 2005, García directed and starred in the film The Lost City alongside Dustin Hoffman and Bill Murray. He also starred in New York, I Love You (2008), the dramedy City Island (2009), the romantic comedy At Middleton (2013), and the crime thriller Kill the Messenger (2014). He has had supporting roles in Mamma Mia! Here We Go Again, Book Club, The Mule, the HBO television movie My Dinner with Hervé (all 2018), and the title role in the Father of the Bride remake (2022). In 2005, he won both a Grammy and a Latin Grammy Award for producing Cuban musician Cachao's record ¡Ahora Sí!. Description above from the Wikipedia article Andy Garcia, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The fictional town of Grantville, West Virginia (modeled on the real West Virginia town of Mannington) and its power plant are displaced in space-time, through a side effect of a mysterious alien civilization. Grantville, led by Mike Stearns, president of the local chapter of the United Mine Workers of America (UMWA), must cope with the town's space-time dislocation, the surrounding raging war, language barriers, and numerous social and political issues, including class conflict, witchcraft, feminism, the reformation and the counter-reformation, among many other factors. Grantville struggles to survive while trying to maintain technology sundered from twenty-first century resources.
