
Age: 64
female
Jennifer Jason Leigh (born Jennifer Leigh Morrow; February 5, 1962) is an American actress. She began her career on television during the 1970s before making her film breakthrough in the teen film Fast Times at Ridgemont High (1982). She received critical praise for her performances in Last Exit to Brooklyn (1989), Miami Blues (1990), Backdraft (1991), Single White Female (1992), and The Hudsucker Proxy (1994). She was nominated for a Golden Globe for her portrayal of Dorothy Parker in Mrs Parker and the Vicious Circle (1994). Leigh starred in a 1995 film written by her mother, screenwriter Barbara Turner, titled Georgia. She co-wrote and co-directed a film with Alan Cumming titled The Anniversary Party (2001). Leigh starred in the crime drama Road to Perdition (2002) and the family drama Margot at the Wedding (2007). She had a recurring role on the Showtime comedy-drama series Weeds (2009–2012). She received critical acclaim for her voice work in Charlie Kaufman's Anomalisa (2015). For her role as fugitive Daisy Domergue in The Hateful Eight (2015), she was nominated for the Golden Globe and Academy Award for Best Supporting Actress. From 2017 to 2021, she starred in the Netflix comedy-drama series Atypical while featuring in the science fiction films Annihilation (2018) and Possessor (2020). She has since starred in the fifth season of the crime drama series Fargo (2023). For her stage work, Leigh was nominated for a Drama Desk award for her off-Broadway performance as Beverly Moss in Mike Leigh's Abigail's Party. Her Broadway debut occurred in 1998 when she became the replacement for the role of Sally Bowles in the musical Cabaret.

A high school student discovers a box of cassette tapes recorded by his classmate Hannah, who recently took her own life. Each tape reveals a different person who played a role in her devastating decision. As he listens through the night, he becomes obsessed with uncovering the truth—navigating a maze of betrayal, bullying, and dark secrets hidden behind the polished facades of his small town. Set against neon-soaked hallways and the analog intimacy of cassette culture, the story unfolds through his eyes as he confronts former friends, crushes, and enemies. The mystery deepens with each tape, forcing him to question everything he thought he knew about his community. Themes of accountability, teenage isolation, and the irreversible consequences of cruelty pulse through this gripping drama, where one person's voice—even after death—demands to be heard and cannot be silenced.






