
Age: 62
male
John Phillip Stamos (Stay-mohss; born August 19, 1963) is an American actor and musician. He first gained recognition for his contract role as Blackie Parrish on the ABC television soap opera General Hospital, for which he was nominated for the Daytime Emmy Award for Outstanding Supporting Actor in a Drama Series at the 10th Daytime Emmy Awards in 1983. He is known for his work in television, especially in his starring role as Jesse Katsopolis on the ABC sitcom Full House. Since the show's finale in 1995, he has appeared in numerous TV films and series. From 2005 to 2009, he starred in the NBC medical drama ER as Dr. Tony Gates. After former Broadway stints in How to Succeed in Business Without Really Trying and Cabaret, he began playing the role of Albert Peterson in the Broadway revival of Bye Bye Birdie, which he starred in from October 2009 to January 2010. He then played Senator Joseph Cantwell in a Broadway revival of Gore Vidal's play The Best Man from July to September 2012, replacing Eric McCormack. He executive produced the Netflix series Fuller House, in which he reprised the role of Jesse Katsopolis. He also starred in Never Too Young to Die (1986), Born to Ride (1991), and as Dr. Nicky in the Lifetime/Netflix psychological thriller You. Description above from the Wikipedia article John Stamos, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A high school student discovers a box of cassette tapes recorded by his classmate Hannah, who recently took her own life. Each tape reveals a different person who played a role in her devastating decision. As he listens through the night, he becomes obsessed with uncovering the truth—navigating a maze of betrayal, bullying, and dark secrets hidden behind the polished facades of his small town. Set against neon-soaked hallways and the analog intimacy of cassette culture, the story unfolds through his eyes as he confronts former friends, crushes, and enemies. The mystery deepens with each tape, forcing him to question everything he thought he knew about his community. Themes of accountability, teenage isolation, and the irreversible consequences of cruelty pulse through this gripping drama, where one person's voice—even after death—demands to be heard and cannot be silenced.






