Age: 67
male
James Hugh Calum Laurie CBE (born June 11, 1959), known professionally as Hugh Laurie, is an English actor, director, singer, musician, comedian, and author. He is known for portraying the title character on the Fox medical drama series House (2004–2012), for which he received two Golden Globe Awards and nominations for numerous other awards. He was listed in the 2011 Guinness World Records as the most watched leading man on television and was one of the highest-paid actors in a television drama, earning £250,000 ($409,000) per episode of House. His other television credits include arms dealer Richard Onslow Roper in the miniseries The Night Manager (2016), for which he won his third Golden Globe Award, and Senator Tom James in the HBO sitcom Veep (2012–2019), for which he received his 10th Emmy Award nomination. Forced to abandon rowing during a bout of glandular fever, he joined the Cambridge Footlights, a university dramatic club that has produced many well-known actors and comedians. There he met Emma Thompson, with whom he had a romantic relationship, which later ended yet they remain good friends. She introduced him to his future comedy partner, Stephen Fry. Laurie, Fry and Thompson later parodied themselves as the University Challenge representatives of "Footlights College, Oxbridge" in "Bambi", an episode of The Young Ones, with the series' co-writer Ben Elton completing their team.
Hugh Laurie
Uncle Johnny
for Uncle Johnny in 10 Things That Never Happened
Suggested by williammganas
Sam Becker loves—or, okay, likes—his job. Sure, managing a bed-and-bath retailer isn’t exactly glamorous, but it’s good work and he gets on well with the band of misfits who keep the store running. He could see himself being content here for the long haul. Too bad, then, that the owner is an infuriating git. Jonathan Frost should never have hired Sam. It was a sentimental decision, and Jonathan didn’t get where he is by following his heart. Determined to set things right, Jonathan orders Sam down to London for a difficult talk…only for a panicking Sam to trip, bump his head, and maybe accidentally imply that he doesn’t remember anything? Faking amnesia seemed like a good idea when Sam was afraid he was getting sacked, but now he has to deal with the reality of Jonathan’s guilt—as well as the unsettling fact that his surly boss might have a softer side to him. There’s an unexpected freedom in getting a second shot at a first impression…but as Sam and Jonathan grow closer, can Sam really bring himself to tell the truth, or will their future be built entirely on one impulsive lie?
