Age: 90
female
Dame Julia Elizabeth Andrews, DBE (born Julia Elizabeth Wells; 1 October 1935) is a British film and stage actress, singer, and author. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honours. Andrews was a former British child actress and singer who made her Broadway debut in 1954 with The Boy Friend, and rose to prominence starring in other musicals such as My Fair Lady and Camelot, and in musical films such as Mary Poppins (1964), for which she won the Academy Award for Best Actress, and The Sound of Music (1965): the roles for which she is still best-known. Her voice, which originally spanned four octaves, was damaged by a throat operation in 1997. Andrews had a revival of her film career in 2000s in family films such as The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), the Shrek animated films (2004–2010), and Despicable Me (2010). In 2003 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at the Bay Street Theatre, Sag Harbor, New York (and later at the Goodspeed Opera House, in East Haddam, Connecticut in 2005). Andrews is also an author of children's books, and in 2008 published an autobiography, Home: A Memoir of My Early Years.
Julie Andrews
Nanny Barb
for Nanny Barb in 10 Things That Never Happened
Suggested by williammganas
Sam Becker loves—or, okay, likes—his job. Sure, managing a bed-and-bath retailer isn’t exactly glamorous, but it’s good work and he gets on well with the band of misfits who keep the store running. He could see himself being content here for the long haul. Too bad, then, that the owner is an infuriating git. Jonathan Frost should never have hired Sam. It was a sentimental decision, and Jonathan didn’t get where he is by following his heart. Determined to set things right, Jonathan orders Sam down to London for a difficult talk…only for a panicking Sam to trip, bump his head, and maybe accidentally imply that he doesn’t remember anything? Faking amnesia seemed like a good idea when Sam was afraid he was getting sacked, but now he has to deal with the reality of Jonathan’s guilt—as well as the unsettling fact that his surly boss might have a softer side to him. There’s an unexpected freedom in getting a second shot at a first impression…but as Sam and Jonathan grow closer, can Sam really bring himself to tell the truth, or will their future be built entirely on one impulsive lie?
