Age: 47
female
Ludwika Paleta (born Ludwika Paleta Paciorek on November 29, 1978 in Kraków,Poland) is a Polish-born Mexican actress and model. Paleta was born in Kraków, Poland in 1978. When her father, the famous musician Zbigniew Paleta, was offered a job in Mexico, the Paleta family settled permanently. As a child, Ludwika was one day taken by her sister Dominika Paleta, to an acting audition and impressed the casting directors so much that soon after, she was offered her first television role inCarrusel (1989). Paleta became an instant celebrity with her character, and a sex-symbol among Mexican pre-teen boys. Three years later, in 1992, she returned to the small screen in what she calls her favorite television job yet, El abuelo y yo opposite Gael García Bernal. Roles in Huracán, Amigas y Rivales, and Mujer de Madera soon followed. Her most recent work in television was in the Endemol-Telefe produced Los Exitosos Perez. Paleta has obtained great fame and popularity in the Latin American country that has been her home since she was merely a child. In an interview, Ludwika Paleta declared that she loves both Mexico and Poland, but that she does not see herself living outside of Mexico in the near-future.
Ludwika Paleta
Agnieszka
for Agnieszka in 10 Things That Never Happened
Suggested by williammganas
Sam Becker loves—or, okay, likes—his job. Sure, managing a bed-and-bath retailer isn’t exactly glamorous, but it’s good work and he gets on well with the band of misfits who keep the store running. He could see himself being content here for the long haul. Too bad, then, that the owner is an infuriating git. Jonathan Frost should never have hired Sam. It was a sentimental decision, and Jonathan didn’t get where he is by following his heart. Determined to set things right, Jonathan orders Sam down to London for a difficult talk…only for a panicking Sam to trip, bump his head, and maybe accidentally imply that he doesn’t remember anything? Faking amnesia seemed like a good idea when Sam was afraid he was getting sacked, but now he has to deal with the reality of Jonathan’s guilt—as well as the unsettling fact that his surly boss might have a softer side to him. There’s an unexpected freedom in getting a second shot at a first impression…but as Sam and Jonathan grow closer, can Sam really bring himself to tell the truth, or will their future be built entirely on one impulsive lie?
