
Age: 34
Sony Pictures Imageworks Inc. is a Canadian visual effects and computer animation studio headquartered in Vancouver, British Columbia, with an additional office on the Sony Pictures Studios lot in Culver City, California. SPI is a unit of Sony Pictures Entertainment's Motion Picture Group. The company has been recognized by the Academy of Motion Picture Arts and Sciences with Oscars for their work on Spider-Man 2 and the computer-animated short film The ChubbChubbs!, and received many other nominations for their work. SPI has provided visual effects for many films; most recent include The Meg, Men in Black: International, and Spider-Man: Far From Home. They also provided services for several of director Robert Zemeckis' films, including Contact, Cast Away, The Polar Express, and Beowulf. Since the foundation of its sister company Sony Pictures Animation in 2002, SPI would go on to animate nearly all of the SPA's films, including Open Season, Surf's Up, Spider-Man: Into the Spider-Verse, and films in the Cloudy with a Chance of Meatballs, Smurfs, and Hotel Transylvania franchises, in addition to animating films for other studios such as Arthur Christmas for Aardman Animations (co-produced by SPA), Storks and Smallfoot for the Warner Animation Group, The Angry Birds Movie and its sequel for Rovio Animation, and Over the Moon for Netflix Animation, Netflix and Pearl Studio.

Sony Pictures Imageworks

VFX by
for VFX by in 𝐂𝐚𝐥𝐯𝐢𝐧 𝐚𝐧𝐝 𝐇𝐨𝐛𝐛𝐞𝐬
Suggested by demurelyhydrated

Calvin and Hobbes follows the humorous antics of the title characters: Calvin, a mischievous and adventurous six-year-old boy; and his friend Hobbes, a stuffed tiger. Set in the suburban United States of the 1980s and 1990s, the strip depicts Calvin's frequent flights of fancy and friendship with Hobbes. It also examines Calvin's relationships with his long-suffering parents and with his classmates, especially his neighbor Susie Derkins. Hobbes's dual nature is a defining motif for the strip: to Calvin, Hobbes is a living anthropomorphic tiger, while all the other characters seem to see Hobbes as an inanimate stuffed toy, though Watterson has not clarified exactly how Hobbes is perceived by others, or whether he is real or an imaginary friend. Though the series does not frequently mention specific political figures or ongoing events, it does explore broad issues like environmentalism, public education, and philosophical quandaries. At the height of its popularity, Calvin and Hobbes was featured in over 2,400 newspapers worldwide. As of 2010, reruns of the strip appeared in more than 50 countries, and nearly 45 million copies of the Calvin and Hobbes books had been sold worldwide.





